Group of young girls in a dance or gymnastics class in a studio, some standing with hands on hips, others sitting or standing in the background.

who is she?

When I was little, I used to stare outside my bedroom window in the middle of the night, praying that one day aliens would come and take me home. I have always felt like an observer, could sense “energies” and predict world events, including 9/11 and the Boxing Day Tsunami in 2004. But I put those gifts away because they made others uncomfortable, and historically, society hasn’t liked bright girls who could see the truth.

In 2012, I had my first big awakening, which I masked with philosophy and anthropology. It was misunderstood and pathologised, except at parties when I’d whip out my tarot cards to give readings to other drunken uni students. The second awakening came in 2019. I dusted off my cards and devoured everything I could about consciousness. That’s when I started showing up online, helping heartbroken girls find themselves again. With my Master’s in education and my psychic insights, I built a 20k+ following and coached over 200 clients through heartbreak towards self-love. Here, I started training with professional psychics to strengthen my abilities and broaden my expertise in the unseen.

However, I felt I needed to gain “real-world” work experience and live life for my own soul growth. So I put the cards away, moved to Auckland, got a big job in tech, and stepped into executive life. I entered rooms I once dreamed of, but the nudges never stopped. I could sense when businesses were slightly out of alignment, who was destined for success, and I could see the future of the industry in ways others couldn’t. But I also knew I wouldn’t fully activate my purpose until I stepped out of the witch’s closet.

Now, with the rise of AI and our systems unravelling, my early visions and predictions are proving true. If you look closely, it’s all there in the vault of my old work. Truths hidden in plain sight, weaved throughout all my work and conversations. But action completes the circuit, and I’m ready to be the magical hand to hold if you’re ready to take the leap towards your purpose.

  • Master of Teaching and Learning - Distinction, endorsed in secondary education
    University of Canterbury, 2017

    Bachelor of Arts - Anthropology, classical studies, and art history
    University of Otago, 2011-2014

  • NZTech Group - Executive Director
    BlockchainNZ | EdTechNZ | IoT Alliance | LocationTech
    2021 - 2024

    MeterMe - Co-Founder and Director
    2019 - now

    Auckland War Memorial Museum - Visitor Host
    2015 - 2016

    Dunedin Chinese Gardens - Visitor Host
    2013 - 2014

  • Member of The Institute of Directors - Founding Member of the Young Directors Committee
    2022 - 2024

    Christchurch Women’s Centre - Treasurer and Board Member
    2020 - 2021

what’s the why?

It has been instilled in me that it all has to come back to the why. These are basic human truths to which we are all deserving of:

  1. To live a beautiful and abundant life.

  2. To make meaningful impact.

  3. To love and be loved wholeheartedly.

A workspace with a computer monitor, a pink sticky note with handwritten notes titled "Why?", a spiral notebook, a white paper with handwritten notes, two pens, a pair of glasses, and a picture of a woman statue on the wall.

outside of work

Music.

I have an interesting and less than popular taste in music. You will find me singing in the car to any of the following: Corbin, The Shins, Hazel English, The Beaches, Artemis, Toro y moi, and any folk music from the 60’s.

Backyard films.

I started writing screenplays and making films about my Barbies when I was 7 years old. My love of storytelling and movies continued into high school when my friend and I started making backyard horror or coming-of-age films. We would submit to film festivals, and even though we never won, this continued all throughout high school and uni. I still have a scar on my foot when a stunt with a wine bottle went wrong.

Writing.

I write every day. Either adding to my collection of short stories about past lives, a poem inspired by my love of John Keats, or my ongoing dream of something called Diamantis. But if it’s not creative, I’m either writing in my shadow work journal or the latest edition of my substack “The Cosmic Anthropologist”.

Art.

My biggest passion in life. I will never be able to pinpoint my favourite movement or artist, but I love artists who can play with light, colour, and composition, especially in photography. If I had to, my current top 3 favourite artists would be Hilma af Klint, David Hockney, and Uta Barth.

Meg Ryan.

My comfort movies all star Meg Ryan. When Harry Met Sally, You’ve Got Mail, and Sleepless in Seattle. They are part of my identity at this point. There’s also something about a New York love story I can’t pass by.

Classics.

I am a Hellenist - if you ask me anything about Ancient Rome, I will draw a blank. Homer or greek vases? Don’t bother to ask, because you’ll be stuck with me talking your ear off for an hour.

  • Three instant photos labeled "Lincoln #1," "Lincoln #2," and "Lincoln #3" are displayed on a white surface. The first shows a cluttered desk with figurines, a rock, and small items. The second captures a person’s feet wearing sneakers resting on a white bookshelf in front of a window with greenery outside. The third depicts a bedroom with a bed, framed pictures on the wall, and an open closet with clothes.

  • Two empty glass bottles, one small amber-colored glass, and a short glass with drink and straw on pink textured tabletop, cast colorful shadows.

  • Wall with framed artwork, a large Hilma af Klint poster, and a bed with pink and white pillows, all illuminated by sunlight creating a dappled light pattern.

  • Decorative altar with candles, crystals, abalone shell, a paper cutout of a classical female statue, and a white sculpture of a torso against a plain white wall.